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Hidden behind adobe walls in Taos historic district, the Ribak Estate unfolds as a rare convergence of place, art, and enduring craftsmanship. Backing up to La Loma Plaza, an enclave established in 1795 - this storied property occupies a setting where Taos architectural and artistic traditions remain vividly alive. Owned by the renowned Taos Modernists, Beatrice Mandelman and Louis Ribak, the home served for decades as a residence, studio, gallery, and a gathering place for influential artists whose work helped define Taos on the international stage. That legacy is still palpable today, not as a museum piece, but as a living environment shaped by creativity, conversation, and thoughtful stewardship over generations. Recognized by the State of New Mexico as a significant example of Pueblo Revival architecture and documented on the 1929 town survey, the home reflects the hallmarks of authe...
Hidden behind adobe walls in Taos historic district, the Ribak Estate unfolds as a rare convergence of place, art, and enduring craftsmanship. Backing up to La Loma Plaza, an enclave established in 1795 - this storied property occupies a setting where Taos architectural and artistic traditions remain vividly alive. Owned by the renowned Taos Modernists, Beatrice Mandelman and Louis Ribak, the home served for decades as a residence, studio, gallery, and a gathering place for influential artists whose work helped define Taos on the international stage. That legacy is still palpable today, not as a museum piece, but as a living environment shaped by creativity, conversation, and thoughtful stewardship over generations. Recognized by the State of New Mexico as a significant example of Pueblo Revival architecture and documented on the 1929 town survey, the home reflects the hallmarks of authentic adobe construction: substantial walls, sculpted mud plaster, hand-carved corbels, vigas and latillas, nichos, and four traditional Southwestern fireplaces. In 2006, the residence was comprehensively rebuilt from the ground up, preserving historic integrity while integrating modern systems including radiant floor heating, updated electrical, double-pane windows and doors, and energy-efficient infrastructure. The approximately 3,280-square-foot interior is arranged with uncommon flexibility. The main residence offers two bedrooms and two bathrooms, while a fully independent one-bedroom apartment - seamlessly integrated under the same roof - provides options for guests, extended family, rental income, or creative use. The spaces flow naturally rather than formally, with rooms unfolding in a way that feels organic, collected, and deeply personal. At the center of the home, a welcoming parlor and dining area anchors daily life, illuminated by deep-set windows and enriched by museum-quality antique lighting from the sellers collection. The adjoining kitchen balances charm and practicality, featuring a Viking range, hand-painted cabinetry, generous storage, and historic painted beams attributed to early Taos artist and historian Blanche Chloe Grant. One of the homes most compelling spaces is the expansive living room, historically used as an art school and long known as a gathering place for visiting artists and thinkers. Upstairs, the primary suite offers a peaceful retreat with built-in cabinetry, a sitting area, an oversized bath, and French doors opening to both a covered front balcony and a rear Juliet balcony - each offering a different sense of light, sky, and perspective. The separate apartment enjoys its own living area, kitchen, fireplace, and direct access to a private, stone-terraced courtyard - ideal for quiet mornings, creative pursuits, or hosting guests with privacy. Throughout the property, materials have been carefully curated: reclaimed wood, flagstone, Saltillo tile, antique mirrors, and historic lighting create a layered, authentic atmosph
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